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The native AI plugin for DaVinci Resolve
Blackmagic official partner

Graded likea colorist.

Auto Color is an AI colorist for your DaVinci Resolve timeline. It corrects exposure, white balance and contrast, adds the look you describe and matches shots of the same scene. You review every grade before it is applied.

Describe the look, check the grade clip by clip, apply it in 1 click. Cuts that don't jump, skin that stays natural. Native to DaVinci Resolve.

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Auto Color panel listing the grade of each clip next to a graded interview on a DaVinci Resolve timeline

How it works

Three steps. A graded timeline.

  1. Brief

    Describe the look.

    A mood, a palette, how far to push it. Leave it empty for a clean, natural correction.

    Typing a warm cinematic look in the Auto Color brief

  2. Review & apply

    Check every grade, then apply.

    One frame per source is read, shots of the same scene are grouped and each clip gets its grade. Review exposure, temperature, contrast and look, then apply.

    Applying the reviewed grade plan and watching the interview get graded

  3. Compare

    Matched shots. Editable grade.

    Shots of the same scene share one look, so your cuts don't jump. The grade stays standard color correction: retune a shot or remove it.

    Comparing the Auto Color grade across the cuts of an interview

What ships

A colorist pass in minutes, not hours.

0

Controls set per shot: exposure, temperature, tint, contrast, whites, blacks, highlights, shadows, saturation.

1 frame

Read per source, not per clip. A source used 8 times is graded once, consistently.

Review first

See the grade of every clip before anything touches your timeline.

Matched shots

Shots of the same scene share one look. Different lighting setups stay distinct.

CH · DaVinci Resolve

Standard, editable color correction. Nothing is baked into your media.

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DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
DavinciClaude user testimonial from the Discord community
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FAQ

What you're probably wondering.

It reads one frame of every source in your timeline, groups the shots that belong to the same scene, then grades each one: exposure, white balance and contrast first, a creative look on top. Matched shots share one look, so your cuts don't jump.

On the first node of each clip, as standard color correction you can retune at any time.

Yes. Analysis and application are separate. You see every clip with its exposure, temperature, contrast and look, then click Apply Grade.

Apply your Log to Rec.709 conversion (LUT or color space transform) first. Auto Color grades on top of the image it is given.

A mood, a palette or a reference ("warm cinematic look, match all the clips"), a known problem, or how far to push it. It is a primary grade: no masks, no power windows, no LUT by name.

Works natively in DaVinci Resolve, on macOS (Intel and Apple Silicon) and Windows.